This book brings together carefully selected essays on feminism and film with a view to tracing major developments in theory, criticism, and practices of women and cinema from 1973 to the present day. It illuminates the powerful, if controversial role feminist research has played in the emergence of Film Studies as a discipline during these years, and reprints a variety of methods of feminist film study. As well as a wide-ranging introduction by Kaplan which sets her selection of essays in context, readers will find examples of social-role, psychoanalytic, structuralist, post-structuralist, gay and lesbian, postmodern and postcolonial feminist film criticism, prefaced by introductory notes and including further readings.
Notes on Contributors
Introduction
Phase One: Pioneers and Classics: The Modernist Mode
Introductory Notes
Woman's Cinema as Counter-Cinema, Claire Johnston
Visual Pleasure and Narrative Cinema, Laura Mulvey
Woman as Sign, Elizabeth Cowie
Klute 1: A Contemporary Film Noir and Feminist Criticism, Christine Gledhill
Woman's Stake: Filming the Female Body, Mary Ann Doane
Male Subjectivity and Celestial Satire: It's a Wonderful Life, Kaja Silverman
Is the Gaze Male?, E. Ann Kaplan
Dorothy Arzner: Critical Strategies, Claire Johnston
Phase Two: Critiques of Phase One Theories: New Methods
Introductory Notes
Lesbian Looks: Dorothy Arzner and Female Authorship, Judith Mayne
The Difficulty of Difference, David N. Rodowick
Masochism and the Perverse Pleasures of the Cinema, Gaylyn Studlar
Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship, Miriam Hansen
Masculinity as Spectacle: Reflections on Men and Mainstream Cinema, Steve Neale
Strategies of Coherence: Narrative, Cinema, Feminist Poetics, Yvonne Rainer, Teresa de Lauretis
The Orthopsychic Subject: Film Theory and the Reception of Lacan, Joan Copjec
Phase Three: Race, Sexuality, and Postmodernism in Feminist Theory
Introductory Notes
Speaking Nearby, Trinh T. Minh-ha and Nancy N. Chen
White Privilege and Looking Relations: Race and Gender in Feminist Film Theory, Jane Gaines
Racism, Representation, and Psychoanalysis, Claire Pajaczkowska, and Lola Young
That Moment of Emergence, Pratibha Parmar
Sexual Indifference and Lesbian Representation, Teresa de Lauretis
Phase Four: Spectatorship, Ethnicity, and Melodrama
Introductory Notes
Film and the Masquerade: Theorizing the Female Spectator, Mary Ann Doane
Women's Genres, Annette Kuhn
Desperately Seeking Difference, Jackie Stacey
The Case of the Missing Mother: Maternal Issues in Vidor's Stella Dallas, E. Ann Kaplan
'Something Else Besides a Mother': Stella Dallas and the Maternal Melodrama, Linda Williams
Tears and Desire: Women and Melodrama in the 'Old' Mexican Cinema, Ana M. Lopez
Three Men and Baby M, Tania Modleski
The Carapace that Failed: Ousame Sembene's Xala, Laura Mulvey
Further Reading
Index
E. Ann Kaplan