Mariachi Music in America is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. This unique volume provides an accessible introduction to the social, cultural, and economic conditions surrounding mariachi music in the United States. Large immigrations of Mexicans to the U.S., the power of the international recording industry, and the fluid travel of mariachi musicians between the two countries have resulted in a strong base of musical continuity across the political border. Drawing on thirty-five years of personal performance experience and on interviews with leading mariachi musicians, author Daniel Sheehy offers first-hand perspectives on the music's stylistic cornerstones, aesthetic standards, social standing, and economic life. He explains how mariachi music is simultaneously a folk music rooted in more than 150 years of tradition, a commodity governed by market considerations, and a dynamic course of activity that has been shaped and expanded by musical innovation and social meaning. The book focuses on the rising popularity of mariachi music amongst Mexican Americans--over the last twenty-five years, numerous mariachi festivals have become annual events in the U.S., a multitude of workshops and school programs have been developed, and more women have become involved in public mariachi performances. Mariachi Music in America is a captivating study that will interest students, aspiring performers, teachers, and aficionados alike. Enhanced by vivid photos and illustrations and first-hand accounts of musicians, organizers, and audiences, Mariachi Music in America is packaged with a 50-minute CD containing examples of the music discussed in the book. It also features guided listening and hands-on activities that encourage readers to engage actively and critically with the music.

Foreword Preface CD Track List 1. An Introduction to Mariachi Culture Mariachi Music and Culture Issues for Reflection Personal Perspectives from the Author The Purpose of This Book 2. The Modern Mariachi Sound Modern Mariachi Before "Mariachi," 1519-1852 The Mariachi Emerges Mariachi: The Musical Group The Modern Mariachi Takes Shape Instruments of the Modern Mariachi The Vihuela The Guitarron The Harp Musical Forms Poetic Forms The Copla The Seguidilla The Son Other Genres The Cancion Ranchera The Bolero Ranchero The Huanpango The Polka 3. The Social Life of Mariachi Music The Social Dimension Nati Cano's Dream The Birth of La Fonda Social Dimensions of Mariachi Meaning Jose Hernandez's Motivation The Value of Tradition Women in the Mariachi Rebecca Gonzales: Opening the Way for Women in the Mariachi Laura Sobrino: The Challenge of Change 4. Mariachi Economy: Al Talon, Chambas, Plantas, Shows, and la Mariachada Mariachi as a Product and a Profession The Expanding Mariachi Market Performance Settings Al Talon Chambas Serenata Plantas Shows La Mariachada 5. !Viva el Mariachi! Tacos with Ketchup or Salsa? The Challenge of Change The Threads of Change Social Threads Mariachi in Schools Mariachi Festivals Social Movements Chicano Movimiento Women's Liberation Movement Conclusion: The Challenge of Change, the Future Glossary References Resources Index

Daniel Sheehy